"Toadliquor is a band of sin and loathing. At least, that's how they sound. I don't think that I've heard a group that smells like blood, wine, and gasoline, but here we are. Sludge in your veins." Source: Bandcamp

Specializing in the unexpected, Max and Sam have wrought an individual sound that's as much post-Melvins sludge punk as it is futurist prog metal. Their forthcoming self-titled debut, recorded in 2022 at High-Bias in Detroit, puts on display the fruits of their metamorphosis. From the soaring triumphal fuzz of "Uncanny Valley" or the sweep and thrust of "House of Butterflies” their craft is precise, they're just making up their own shapes to sculpt. Source: Bandcamp.com

Now The Obsessed comes roaring back with their most rocking album of all time. Expanded to a 4-piece with the addition of Jason Taylor on guitar, the music is more aggressive, straight ahead and downright mean than ever before.
Not that it matters anyway because it’s fucking Wino, man!

THEY'RE BACK! "A jolt of inspiration hit me in 2021 and I started writing demos of fast and intense D-beat and skank beat hardcore songs then sent them to Carter and Kayhan. We were all excited about the music and the idea of working together so we made this album, purely based on the immediate creative spark and our long-term friendship and collaboration."

Do you like your riffs loud? Listen to this album. Do you like your music without frills? Listen to this album? Do you like your breakdowns absolutely filthy? Listen to this album. Do you like things like melody, mood, or dynamics? You won’t find much of them here, but honestly you will probably still have a good time listening to this album. Source Sputnikmusic.com

American Black Metal Overlords WOLVES IN THE THRONE ROOM return with a new EP, Crypt of Ancestral Knowledge. The EP will be released on September 29th and features four new tracks spanning the scope of WOLVES IN THE THRONE ROOM's cinematic black metal and dark acoustic folk, as well as two atmospheric industrial tracks that take the band into darker sonic territories.

Jesus Piece tend to get tagged as metallic hardcore or metalcore, as well as more nuanced variations of the same: beatdown hardcore, hardcore groove metal, “more hardcore than metal.” They boast a unique mix of aggressive East Coast grooves and call-and-response vocals, offsetting metal’s melodic and theatrical tendencies with hardcore’s propulsive energy.
Source: Pitchfork

On I Shall Die Here, The Body sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. Sharing their heathen vision with The Haxan Cloak, The Body's tried, true, and absorbingly tragic sound is mutilated by process and re-animated in a spectral state. This double LP set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body’s brutality in its most primal form. Newly remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation.

This record is packed to the rafters with incredibly infectious riffs—sharp, inventive riffs that snare the listener like a stylish vocal hook. Furthermore, there’s a sort of furtively melodic touch to her fretplay, and it underscores the gothic atmosphere while avoiding soloing entirely.
Source: Yourlastrites.com

For years now, the Oxnard thrashers Dead Heat have been playing breakneck speed metal for hardcore crowds. They have a complete understanding of how to turn their chosen genre, the crossover thrash of the late ’80s, into music that’ll elicit the maximum physical response possible — when to speed up, when to slow down, when to blaze in with some triumphant guitar shredding, when to drop the absolutely reckless breakdown. On their new EP Endless Torment, you can hear Dead Heat doing all of that at their full capacity.
Source: Stereogum.com