Born out of a drum beat Ewan pulled out his back pocket during a soundcheck in the song’s namesake, ‘Detroit’ is a big ol’ slab of noise rock about a hideous man with even worse behaviours. Better we let Matt take it from here. He’s the lyrics guy: “Detroit reflects on the worst manifestations of male jealousy and resentment, and the ways in which the deliberate avoidance of accountability can lead to deflecting responsibility in exchange for blaming external forces like fate or God for perceived injustice”.
With that in mind, proceeds that this track generates in 2024 we’ll be donating to domestic abuse charities ahead of the tour. Source: Bandcamp

“‘Burning Down‘ kicks off with a classic Pike riff. I think this song harkens back to the early High On Fire sound, but infused with fresh, new elements. It has a killer groove that you can really sink into. The body of the song took shape in our PNW rehearsal space, and we came up with the bridge/solo section and finalized the arrangement while we were at GodCity. Kurt Ballou’s input as a producer was also hugely helpful. His keen ears and fresh perspective were invaluable in making this album.” Source: Theprp.com

MIDNIGHT has been slaying the metal/punk underground with their own addictive brand of lust, grime, and sleaze dating back to the band’s inception. Filthy, belligerent, and obnoxious, MIDNIGHT makes music to start fights to. Source: Earsplitcompound.com

Now The Obsessed comes roaring back with their most rocking album of all time. Expanded to a 4-piece with the addition of Jason Taylor on guitar, the music is more aggressive, straight ahead and downright mean than ever before.
Not that it matters anyway because it’s fucking Wino, man!

This record is packed to the rafters with incredibly infectious riffs—sharp, inventive riffs that snare the listener like a stylish vocal hook. Furthermore, there’s a sort of furtively melodic touch to her fretplay, and it underscores the gothic atmosphere while avoiding soloing entirely.
Source: Yourlastrites.com

Whether dwelling in the realm of dreams or nightmares, the primordial drive of the Newcastle-based band is more powerful than ever. Land Of Sleeper, their fourth record in a decade of riot and rancour, is testimony to this: the sound of a band not so much reinvigorated as channelling a furious energy, which only appears to gather momentum as the band’s surroundings spin on their axis.