"Toadliquor is a band of sin and loathing. At least, that's how they sound. I don't think that I've heard a group that smells like blood, wine, and gasoline, but here we are. Sludge in your veins." Source: Bandcamp

Inspired by classical music, free jazz and drone the two classically trained brothers Benjamin and Guillaume Colin have been creating lo-f experimental post-doom epics in the vein of Year of No Light, Dirge and Omega Massif since 2016. “WuW is the sound wind makes when it blows on a hot night,” explains the band, “It’s a low-end murmur that grabs you by the guts, a blast of air rushing through the mountains and the oceans.” Their upcoming third album Orchaostre is an anthem to a restless journey, a fve-part doom symphony that creates a shroud of oppressive atmospheres with only a pinch of light. Source: Bandcamp

Now The Obsessed comes roaring back with their most rocking album of all time. Expanded to a 4-piece with the addition of Jason Taylor on guitar, the music is more aggressive, straight ahead and downright mean than ever before.
Not that it matters anyway because it’s fucking Wino, man!

On I Shall Die Here, The Body sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. Sharing their heathen vision with The Haxan Cloak, The Body's tried, true, and absorbingly tragic sound is mutilated by process and re-animated in a spectral state. This double LP set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body’s brutality in its most primal form. Newly remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation.